L'Amour Braque Paul Bartel The New Yorker

The New Yorker

UNDER THE SKIN examines human experience from the perspective of an unforgettable heroine who grows too comfortable in her borrowed skin

Haunted by a childhood trauma

Smart and unconventional storytelling techniques highlight director/co-scripter Edgar Wright's adaptation of the graphic novel series tracking the exploits of Canadian slacker/musician Scott Pilgrim (Michael Cera)

Seamus Davey-Fitzpatrick

L'Amour Braque Paul Bartel The New YorkerSophie Marceau (The World Is Not Enough, Braveheart, Police), Francis Huster (La Femme Publique, Le Dner de Cons) and Tchky Karyo (La Femme Nikita, Dobermann) form the mad love triangle at the core of Andrzej Zulawskis LAmour Braque (a. k. a. Mad Love), a postmodern, existentialist homage to Fyodor Dostoevskys classic novel The Idiot. A manic bank robber (Karyo) aims to take back his beloved moll (Marceau) from rival gangsters. On a train to Paris, he